巨大熟女襲来!ジャイアンティス小早川怜子 – Giant MILF Attack! Giantess Reiko Kobayakawa

Good morning everyone,

Today’s review will cover 巨大熟女襲来!ジャイアンティス小早川怜子, Giant MILF Attack! Giantess Reiko Kobayakawa. As readers have already gleaned from the title, this does indeed star Reiko Kobayakawa as a giant MILF. (SIDE NOTE: Click here for Reiko’s Japanese Wikipedia entry.) According to Wikipedia, Reiko was born on November 17th, 1982, and made her adult video debut in April 2012. She was 35 years old when Giant MILF Attack! Giantess Reiko Kobayakawa was released on February 22nd, 2018.

^ This screenshot was taken from Reiko’s biography at the Capsule Agency, a company which represents porn actresses. It lists photography as one of her hobbies and making Wagashi, traditional sweets served with green tea, as one of her skills.

Reiko has an active presence on social media sites such as Instagram and Twitter. She also appeared in a YouTube clip produced by the Capsule Agency, and has an official blog. Her most recent video, SM女王様立場逆転アナル凌 – a sadomasochistic-themed production focused on anal sex, was released earlier this month:

This was released on September 6th, 2022.

Co-starring along Reiko was 小西まりえ, Marie Konishi. She can be followed on Twitter and Marie’s Wikipedia entry can be read by clicking here.

Now that I’ve covered a little of the background behind the two female leads, let’s examine the plot of Giant MILF Attack! Giantess Reiko Kobayakawa. It begins with Reiko as a lonely and horny housewife neglected by her husband. (SIDE NOTE: This film was made due to a “user’s request.”) The video starts with a butt shot of Reiko vacuuming, then she washes dishes and does laundry.

The sexiest perspective from which to film someone operating a vacuum.

Once her household chores are completed she takes some well-deserved time off to masturbate with a vibrator, and then waits patiently for her husband to return home. Unfortunately, his arrival is not a passionate one and he is unwilling to give her the attention she fervently craves. Furthermore, she discovers evidence of unfaithfulness on his cell phone:

We never actually see what was on the cell phone.

Reiko goes to her man’s place of work, a laboratory, and catches him getting hot and heavy with his assistant, played by Marie Konishi!

Starting to regret not pursuing a scientific career 😥

The wife becomes understandably enraged at this philandering and engages in a struggle with the younger mistress. “Struggle” in this case meaning that the ladies grab each other’s hands and wrists then sway back and forth a bit. Their battle wasn’t particularly violent and consisted of gentle shoving, but no one should expect John Wick-ish fight choreography in porn.

Eventually, the scientist husband is pulled into the confrontation and winds up spilling a chemical on his wife. One million Solo bucks to the first person who guesses what that does! Far be it for Reiko to be the only one splashed with a mysterious substance; she chucks the contents of another vial at Marie. (NOTE: The chemicals came from different glasses, but ultimately had the same effect.)

The growth formulas apparently had no problem passing through clothing to affect the two ladies.

To the surprise of no one, the colored liquids cause rapid height increase! The transformation felt rushed, but still respect should be given to Rocket Studio, the production company, for creating even a brief growth scene. (NOTE: This growth scene from 2018 compared favorably to this year’s “Attack of the 50 Foot Camgirl which omitted that crucial component.) The process even involved a bit of clothing destruction when her white skirt and gray sleeveless top were torn apart by a swelling butt and boobs!

I appreciated the set design. It looks like the filmmakers borrowed a hospital room, but it worked perfectly well as a scientist’s lab.

Reiko soon breaks through the roof. Then there was a fun bit in which two onlookers, plus the philandering husband / scientist, stare up at naked giantess backside while Richard Wagner’s song “Ride of the Valkyries,” Walkürenritt or Ritt der Walküren in the original German, played in the background:

Truly, there has never been a more apropos usage for Ride of the Valkyries! Apocalypse Now can suck it!

Alas, not every creative decision was welcome. For instance, the rampant blurring was a bummer.

Apparently, the editor felt the need to obscure an entire neighborhood to prevent viewers from recognizing it. Why not just use a model city, which they show later, instead of a real one?
The muddying of certain shots was distracting and detracted from the quality of the video. In this particular shot several trees were obscured for some unfathomable reason :\ Looked like someone smeared Vaseline on the camera lens.

After a brief discussion with a pair of reporters, the supersized homemaker engages in a prolonged masturbation session. This included manually stimulating her vagina, rubbing against the corner of a building’s roof, fingering herself while down on one knee, “riding” a train in an atypical fashion (see following image for clarification), inserting a car into her “tunnel,” misappropriating Tokyo Tower, etc., etc. Basically, this was a masturbation-a-palooza lasting about 22 minutes.

Reliable public transportation has many benefits beyond merely moving workers around 😎

After a climax accompanied by heavy squirting, Reiko spots her husband, and the two reporters, on an adjacent roof top. She snatches her neglectful spouse and uses his body to stimulate her nipples and to serve as a human dildo. (As one does… 😉 ) The two resolve their differences, but then trouble arises when the assistant undergoes her own personal development! (NOTE: That means the mistress also got huge.) The giantesses renew their inconsequential “fight,” but this time they demonstrate breath powers, akin to Godzilla’s atomic breath. Although, these breath attacks are easily dodged and do no harm to either opponent. Then they try to wrestle the scientist away from each other.

Fear not gentle readers, they don’t actually tear him apart.
Presumably, this happens all the time to researchers. Once again, I regret not pursuing a scientific career 😥

However, the combatants discover that oral sex is more fun than fighting.

<Scientist man> Oh no! My buxom wife is now a giantess performing cunnilingus on my equally gigantic mistress! </scientist man>

Don’t want to give away the ending, but will say it was a bit underwhelming and felt like the writer didn’t know how to satisfactorily conclude this movie. Still, overall this was an enjoyable viewing experience. There was a full-fledged story in which the characters had understandable motives for their actions. The execution of the special effects was far from perfect, but the attempt was still appreciated.

Regarding negatives, there are several aspects which could have been improved. Blurring has already been addressed and for good reason, it was a major distraction. Additionally, a white sheet was used for a backdrop when chroma keying (a.k.a. green screen) could have provided a more realistic sky.

The blinding white background was a detriment, as can be seen above. The screenshot also shows more blurring problems. In this case a structure intended to represent Tokyo Tower was covered in an indistinct fog.

Continuity errors included a wedding ring that (somehow) still fit even after Reiko’s up-sizing:

By all that is holy, I beg directors to take the bold step and remove their performer’s jewelry after growth scenes. Please and thank you!

There were also problems of proper scale when regular-sized humans standing on top of a building were twice as big as the balcony doors directly below them.

The people on the rooftop should have been sized to match the building doors.

Lastly, there is a language barrier for viewers who don’t speak Japanese. This is made worse by the lack of subtitles or closed captioning, not even Japanese subtitles were available.

(SIDE NOTE: Unlike in America, it is not uncommon to watch movies in Japan without subtitles or closed captions. The online streaming service Netflix provides Japanese subtitles at a minimum, and often includes other languages. However, Japanese DVDs often do not have subtitles in ANY language.)

Overall though, the positives outweighed the negatives and therefore Giant MILF Attack! Giantess Reiko Kobayakawa is recommended. It can be streamed online and DVD copies were also available for ¥1,986, about $13.89, on Amazon Japan in mid-September. (Click here for the Amazon Japan link.) A region-free or Japanese DVD player is required to play the DVD.

That’s it for today folks. Next week will feature another creation from Japan and that will conclude the recent focus on Japanese media. As for what’s planned after that, who knows? We’ll have to wait and see.

Until next time, keep growing!

This review was written by SolomonG and is protected under Fair Use copyright law.

All Rights Reserved.

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