Interview with Praedatorius, Prolific Writer of Transformative Fetishes!

Praedatorius has been creating size-fetish stories for many years covering a number of themes such as blueberry inflation, breast expansion, giantess growth, massive lactation, numerous other forms of inflation, weight gain, etc. Per his X/Twitter profile he has released fifty-eight books so far with still more in the works! Fans can find his story “Witness Protection” in the collected volume “the small print,” a collection of short size-themed stories compiled by Taedis, as well as “Little Italy” in “the small print 2.” Praedatorius has also been involved in SizeCon for several years now and had a table full of his hardcopy novels, plus two enormous silicone breast forms, at the latest convention. I attended an old-fashioned Radio Play during SizeCon 2025 in which Praedatorius participated and it was a blast! Fans can follow his social media account at X/Twitter and read many of his free stories at DeviantArt. Lastly, folks can buy Praedatorius’s works at Amazon and Smashwords

#1) Can you tell the readers a little about yourself? 

I’m a writer. I have been writing for a decade and a half all about transformation, and it is my full time job. I try to write about as many different subjects as I’m interested in. I not only performed in the above-mentioned radio play, but I also wrote most of it. I am a staff member of the size-shifting, expansion-themed fetish convention known as SizeCon, and it is in fact SizeCon which inspired me and gave me the courage to be a full time writer. I’m a big history fan, and while I would like to say that I’m an avid reader, truth be told, my writing leaves very little time for actual reading (I’m trying to fix that). I am an avid miniature painter and an aspiring visual artist.

#2) How did you first become interested in expansion, giantesses, and inflation?

When I was in middle school, I found a book in my school library that was an encyclopedia of horror and sci-fi films. I opened it up, and one of the first things I saw was a picture of the poster for Attack of the 50 Foot Woman. When I was looking at it I got this intense feeling; I didn’t know what it was, but I knew it felt good, so I’d come back and look at the picture over and over again.

I had seen growth and shrinking scenes before in TV shows and movies. I knew that I liked them, but this was different because this was the first time that I saw growth in this really dangerous and sexy context. If you look at the poster for Attack of the 50 Foot Woman, the woman is straddling a freeway, causing accidents and picking up cars. She’s wearing a tiny skirt and a her breasts are spilling out of her top—she’s probably the first giant I saw who had cleavage. Plus, she’s got this gorgeous face with these ruby red lips and these arched eyebrows. I probably liked size change and expansion already, but that poster was the spark that lit the flame inside me.

From there, I discovered movies like the Incredible Shrinking Man. I also read Alice’s Adventures in Wonderland around the same time, as well as Ovid’s Metamorphoses so I had an appetite for those things. As I like to tell people, everything I needed to feed my fetishes I found in my middle school library.

#3) What are a few of your favorite art pieces, comics, or stories from other creators?

I’ve been a big fan of an artist known as Bojay, who produces age regression and age progression content. He’s been on the scene for a very long time and he draws everything in ink with a brush and pen. It’s not just the fact that he still does the artwork by hand that excited me, though. It’s the fact that he has this old-style sensibility in how he writes things. I know some people are turned off by age-related content, and I understand why, but Bojay has this great capacity to create work that’s fetishistic without being overtly sexual. There’s a real innocence to it, like a cross between a vintage pin-up and an Archie comic. He’s one of the few artists, I believe, who’s a true original. You can tell his work from a mile away. As far as I know, he’s still producing comics for Dreamtalescomics.com. I’ve written several stories in which I’ve tried to channel the feeling I get from his work.

One of my favorite books was written by Syrus Durham. It’s a shrinking woman novel called How the Chips May Fall. It’s got a simple premise of a poker game that shrinks the players. I almost goes off the rails in the third act, but it sticks the landing almost perfectly. I adore it.

#4) How would you describe your stories?

I would say that my stories tend to be a combination of the intimate and the outlandish. I try to ground the story in something meaningful. It’s not enough for me to say “this person got fat suddenly” or “this person grew bigger boobs”. I always want to give a reason why they do it. How they do it is much less important. We’re dealing with something that’s mostly impossible. Trying to explain how breast expansion works or how a tiny person stays alive is really not worth it, in my opinion. How something happens is much less important than why it happens, and more important than that is what happens after.

For example, let’s say that I wrote a story about a woman who wanted bigger breasts, but she can’t afford them. She helps an alien whose UFO crashed in a field, and the alien rewards her by using a special ray to enlarge her breasts. How did she get bigger breasts? An alien shot her with a ray gun. It’s unrealistic, it’s silly, and it raises more questions than it answers. Why did she get bigger breasts? Well, because she wasn’t afraid of the alien. She took a risk to help an injured person and she got rewarded for doing something good. That says something about her character and what kind of person she is. Now we can move on to the exciting part, which is the woman living her life with bigger breasts, getting promoted in her job where all of the high-ranking women are big-breasted, leading to more sexy adventures.

That’s a very simplistic example, but you get a sense of the kind of absurdity I’m dealing with. Anything is fair game so long as I feel that I can make a compelling story out of it, and as long as the characters are sympathetic, that will carry the rest of the story.

That why I’ve written stories about men who turn into watermelon girls to save their family farm, and a living statue performer who grows to pretend to be the Statue of Liberty, a woman eating an entire planet, et cetera. I never try to take things too seriously, but I always try to make the characters feel natural.

#5) Do you have any advice for people who want to write their own stories?

The first piece of advice is simply to write. If you want to write, just write, and if you don’t finish your first story, just try another one and another one. Eventually, you will finish a story, and when you’re done with that you do it again. Writing is all about practice. The more you write, the better you’ll get. Try to learn more about writing, by all means. It will help you, but it’s no substitute for actually sitting down and doing it. There’s a reason why I’ve been writing for fifteen years. It took me years of scribbling and drafting to write my first story, but when I did I kept on going and I never stopped. That’s why I’m publishing books today.

The second piece of advice is not to be afraid of exposing yourself (in text). I know that it’s hard to write about secret desires and sexual urges, but if you’re not writing what you like, then there’s no point in writing. If you think that cute, chubby dragons wearing diapers are the height of sexual attractiveness, then write that. The fear is always, “Oh God, these people are going to think that I’m a freak. They’re going to think that I’m a chubby diaper dragon fucker.” Well, if you’re afraid of that, then I’ve got bad news for you: you are a chubby diaper dragon fucker. Get over it. We all have weird sexual tastes; you’re not special.

The good news is that readers love that. People love reading about weird stuff, and they love reading books by interesting people. People who read tend to be very curious anyway. If you want to find an audience for your weird kink fiction, then writing a book is the perfect way to find that audience. Some will read it just to have a good laugh, and others will be shocked, but most will want to know more. Yeah, someone is going to call you a pervert, but the chances are that you will never meet that person. These are not the kind of people who go to fetish conventions and writer’s workshops. If you do see them, they’ll be too nervous to say anything bad to your face.

The bigger point, though, is that people like it when others show vulnerability. Yes, it’s a risk, but if you’re genuine and you’re honest with your audience, then they’ll respect that honesty. Then they’ll keep reading to find out what other weird stuff you have to say. Congratulations, you are an interesting person.

#6) Any upcoming projects you would like to mention?

I am currently stocking up on stories for release on my upcoming Patreon account. Some of these will make it to my deviantArT page much later, but if you want more stories fast, then please consider subscribing. I also have several novels in the works, though none that I can announce a release date for. The best thing is that I am always working, and I just so happen to love my work.

Thank you for doing this interview!

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