Sesamum is a relatively new digital artist who has already created a number of illustrated stories starring growing men. Since 2023 he has made comics such as “Growth Incubus,” “Matthew’s World,” “Sean and Noah: Growth Pills,” and “Transmutation Spell.” As the names imply, they involve a variety of growth mechanisms including magical and scientific catalysts. Sesamum eschews the use of AI art and per his SubscribeStar page he likes it “…when giants are gentle and loving with their tinies, but I also love it when they use their immense size and strength to punish bad guys and spread chaos around the world.” Sesamum’s stories range in length from around 10 to over 120 colored pages (about 160 panels) and as of mid-February 2026 they are multilingual, available in Brazilian Portuguese and English. Plus one comic, Sesa’s Revenge or La Vendetta di Sesa, is also available in Italian. They primarily feature original characters and settings (although at least one comic and a standalone image referenced a video game, namely Baldur’s Gate 3) who experience growth up to building-destroying heights! Fans can find his artwork at DeviantArt and follow him on X/Twitter. Lastly, folks can support Sesamum via SubscribeStar.
#1) Can you tell the readers a little about yourself?
Sure! I’m a 29-year-old guy born and raised in Porto, Portugal. Like most people, I’ve had my share of highs and lows growing up. I came out as gay at 23, even though deep down I’d always known I was different. School bullying and a lot of internalized homophobia kept me from accepting my sexuality for a long time. But when I finally came out, it felt like a huge weight lifted off my shoulders. I stopped feeling ashamed, and I realized there’s nothing wrong with how I feel—love is just love, no matter the gender of the person you’re drawn to.
As a kid, I had all sorts of wild dreams about what I wanted to be: a physics teacher (thanks to a massive crush on my high-school teacher), an astronaut, or even a vegetable farmer. After finishing my studies, I worked in retail for a few years—everything from stocking shelves to running the cash register. My last “conventional” job was at a small grocery store back in May 2024.
These days, I take care of my grandmother as her primary caregiver, but my real income comes from occasional freelance digital marketing gigs and, most importantly, my macrophilia art. Without the incredible support from my fans and patrons, Sesamum would have disappeared ages ago. I’m eternally grateful to them for letting me do what I love.
Oh, and you might be wondering about the name Sesamum! Back in college, I was obsessed with tahini (which is made from sesame seeds—the botanical name is Sesamum indicum). A friend once joked that “Sesamum” sounded like a wizard’s name, and I thought it was hilarious. It just clicked with my personality, so I ran with it. Hehe!
#2) How did you first become interested in size fetish?
Ooh, that’s a great question! Like many of us in the community, I think my interest started with childhood movies and cartoons that featured size-changing characters. Those scenes planted a seed that just kept growing (pun intended, haha!) until it turned into full-on macrophilia.
One of the earliest ones that stands out is Disney’s Alice in Wonderland—specifically the scene where Alice eats some cookies and starts outgrowing the White Rabbit’s house. She bursts through the roof and everything! I was way too young to understand why it made me feel so… excited, but it definitely stuck with me.
I also loved tinkering with video games to make characters huge and powerful. In The Sims 2, I installed body mods (there was this awesome bodybuilder one back then) to make my Sim tower over everyone else—taller, stronger, unstoppable. And in SPORE, there was a mod called “Play as an Epic” that let you become this massive, invulnerable giant creature rampaging through the world. At the time, I had no idea “macrophilia” was even a thing; I just knew I loved the feeling of absolute size and dominance.
I’d have these recurring dreams about growth and male giants too. There’s something so irresistible about being that enormous and invulnerable—no one can touch you, you control everything around you, and the world just bends to your scale. It’s this ultimate sense of power and safety wrapped up together.
Then, in my early 20s, I stumbled across macrophilia content online—art, montages, stories, videos—and suddenly realized, “Wait, there are other people who feel exactly like this!” Discovering the community made me feel so much less alone and more understood. It validated everything I’d felt growing up, and my interest has only deepened since then.
#3) What are a few of your favorite art pieces, comics, or stories from other creators?
Ah, that’s a really tough one—there are so many talented artists in the male macrophilia community, and picking just a few feels like leaving out tons who deserve shoutouts! But if I have to narrow it down to some that truly shaped me or that I keep coming back to…
The one that hits closest to home is probably Emenaych (@emenaych on X). His work is super similar to mine—focused on male growth, mini-giants, and often with a sweet romantic vibe. His comic trilogy (“A Big Misunderstanding,” “A Bigger Misunderstanding,” and “The Biggest Misunderstanding”) was huge for me. Those stories were a big part of my “awakening” as an artist and straight-up motivated me to dive into 3D art and start creating my own gay macrophilia content. I still reread them sometimes, honestly! I’ve even told him directly how much he inspired me—he’s been such a positive influence.
A few others that really captured me along the way:
- Joanpot98 (@joanpot98 on X): I stumbled across his montages one late night while googling for “male giants,” and I was hooked instantly. He does these amazing, often plausible size differences that feel grounded and hot—something I really appreciate since I sometimes lean toward realistic height differences in my own stuff too.
- MgAa (@MgA15452021 on X): Another fantastic 3D artist with renders and comics featuring giant guys. His work shines especially for oral vore and those slightly more dominant/aggressive giant vibes—great for fans who like a bit of edge.
- Terubuu (@terubuu on DeviantArt): A staple in the scene. His DeviantArt is packed with renders of giants in all shapes and sizes, plus some cool stories and comics that hit all the right notes for genre fans.
- Tibt (@thetibt on X): Years of experience and a massive portfolio of 3D comics. His stuff leans more toward shrinking and tinies (which isn’t always my main thing), but the quality is top-tier—he drops new renders daily and releases several comics a year. Super impressive consistency!
- Rosabea (@Rosabea6 on X): The creator behind the webtoon Gulliver’s Children, which follows a boy dealing with a rare size-altering disease. The storytelling is so engaging—I binge-read the whole thing when I discovered it! It’s got heart, drama, and creative size elements that really pulled me in.
These creators have all played a role in my journey, whether through inspiration, motivation, or just pure enjoyment. The community is full of gems, so if anyone’s reading this and loves male macro content, definitely check them out!
#4) How would you describe your art?
If I had to sum it up in a few words, my art is all about gentle, protective, romantic, and deeply affectionate giants—big, loving guys who use their massive size to cherish and care for their partners (or tinies). My stories almost always center on male affection: long hugs, tender kisses, cuddling, and lots of intimate, non-penetrative sex like frotting (which gets hilariously tricky to render the bigger the size difference gets—haha!). Of course, my characters often have those impossibly large genitals that come with the macrophilia territory, but the heart of it is always the emotional connection and sweetness.
I started out focusing more on straight-up explicit, sexual scenes when I first began posting comics online. But over time, I’ve poured a lot into improving the storytelling—smoother dialogue, richer world-building, and more immersive settings—so the sex feels like a natural part of deeper, character-driven narratives rather than the only point.
Most of my comics weave in fantasy/magic or sci-fi elements (think growth spells, size-altering tech, or supernatural beings), which lets me explore themes like self-discovery, power dynamics, protection, and romance through a macro lens. While I’m mostly drawn to gentle and loving interactions, I do occasionally dip into more chaotic or dominant sides—like giants using their size to punish bullies or spread a bit of playful destruction—because variety keeps things fun!
Overall, it’s handmade 3D gay macrophilia—every render, pose, and scene built from scratch by me, no AI involved, which I’m really proud of—and with a big emphasis on romance, growth/shrinking, and heartfelt moments between guys of wildly different scales. I want readers to feel the warmth, the excitement, and sometimes the tenderness in the size difference.
#5) Do you have any advice for people who want to create their own comics? What software do you use?
My biggest piece of advice: believe in yourself and just start. When I first posted my renders online, I never imagined I’d become a full-time artist or get such warm, positive feedback from people around the world. Sharing my work opened the door to connecting with some truly wonderful folks—many of whom I still chat with regularly—and I’m so grateful for that community. Don’t wait until everything feels “perfect”; the encouragement and growth come from putting it out there.
As for my workflow, I create everything in DAZ Studio—that’s where I build the characters, poses, scenes, lighting, everything. It’s completely free to download and use (with tons of starter content included), which made it perfect for me when I was just experimenting. Early on, I’d spend hours tweaking body shapes—making things a little thicker here, a little bit longer there—and trying to recreate the intimate positions I imagined between characters. That’s honestly how I taught myself the basics: trial and error, playing around until it clicked.
As I got better, I started making small purchases from the DAZ store—like new hairstyles, furniture, clothes, or better models—to level up my scenes. DAZ is super popular, so there are endless YouTube tutorials, forums, and articles with tips and tricks that make learning it straightforward and fun.
Once my renders are done, I switch to Comic Life 3 to add speech bubbles, text, and arrange the panels into comic pages. It’s intuitive, beginner-friendly, and the license is affordable with lifetime access—no subscriptions. (Big thanks to Emenaych for recommending it to me—he’s been such a helpful influence!)
If you’re just starting, focus on having fun and telling the stories that excite you. Practice consistently, learn from free resources, and don’t be afraid to share your progress. The macrophilia and 3D comic communities are incredibly supportive—you might be surprised how quickly you find your people.
#6) What rewards do you provide to SubscribeStar supporters?
When I first started selling my comics, I actually used a different platform—one that later banned NSFW artists after building its audience on our work (I won’t name it here). It was a really tough time; I genuinely thought I might have to give up my 3D art hobby because buying new assets and keeping my library fresh gets expensive fast, even with sales and promotions. Thankfully, I switched to SubscribeStar, and it turned out to be one of the best decisions I’ve made. A bunch of fans jumped over to support me right away, and I’m beyond grateful—seriously, no words can fully express how much it means to me.
Right now, anyone subscribed to my SubscribeStar gets full access to all my content: completely uncensored, no watermarks, and in the highest resolution available. Sometimes I also throw in exclusive alternative versions of renders that never make it to X or DeviantArt—like different camera angles, clothed/underwear variants, flaccid or erect options, and other fun tweaks that add variety.
This year, I’m excited to add even more value for my supporters by expanding the rewards—following what works well for some other artists in the community. That means I’ll start releasing new content and comics on SubscribeStar a bit earlier as an early-access perk, then share them publicly on other platforms later. I’m also planning to post more WIPs (work-in-progress shots), run polls for fan input, and boost interaction overall—making it feel even more like a close-knit community where supporters get extra involvement and exclusive goodies.
Thank you from the bottom of my heart to everyone who’s already there or thinking about joining!
#7) Are there any upcoming projects you would like to mention?
Oh man, too many to share—I’m buzzing with ideas right now! The biggest thing I’m working on is this massive, open-ended series that’s been a real challenge (in the best way). It’s going to roll out in shorter chapters more frequently than my usual comics, following the lives of two brand-new characters. Think yaoi with a serious macro twist: heavy emphasis on romance, tender male affection, and heartfelt emotional development. The storytelling is front and center here—the relationship builds gradually and sweetly, so don’t expect explicit sex scenes right away in the early chapters. But for anyone who loves yaoi vibes mixed with gentle giants, I really hope this one hits home!
I’ve also been keeping a little secret that’s finally ready to spill: if things keep going smoothly, 2026 is the year I start sharing my first 3D animations! I’ve spent the past year (and counting) learning and experimenting to expand beyond static renders and comics into actual animated content. I’m super excited to bring male macrophilia to life in video form—expect indoor and outdoor growth scenes, penis growth, muscle expansion, and all those wonderful, larger-than-life moments! Hehehe, can’t wait to drop those first clips for my fans.
On top of that, I’m actively progressing on the 3rd chapter of Matthew’s World and the 2nd chapter of Growth Incubus (which kicked off strong earlier this year). More growth, more romance, more giant fun—stay tuned!
Thank you for doing this interview!
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There She Grows 