Tim Ursaminor has been drawing, reading, and writing about giantesses since the 1990s! He first found forums and other web sites featuring atypically tall women in 1996. Then he started a site featuring his drawings in 1997. Later on, Tim created Ursaminor’s GTS Story Archive which served as an important repository before Giantess World came online in 2001. One of my favorites of his works is a 2-page breast expansion (B.E.) comic starring Elvira, Mistress of the Dark. Additionally, “More Than He Bargained For” is a fun growth-themed short story which includes B.E., female growth to mini-GTS, and penis enlargement (P.E.). Fans can follow Tim on Facebook and at DeviantArt where tons of his sketches and stories are available for free! Furthermore, he is available for drawing and writing commissions. Lastly, starting in July 2022 he began publishing numerous short stories for the Amazon Kindle under the name “Tim Little Bear.”
#1) Can you tell the readers a little about yourself?
Sure. I grew up primarily in small towns in the upper Midwestern part of the United States, with some time spent in larger cities like Seattle, WA, Milwaukee, WI and Orlando, FL. I work in the IT field and have done so in some fashion since the ‘90s. I was also a musician and singer for several years, playing in cover bands since the late ‘80s. For personal reasons, I have decided to retire from performing live. My last gig in a band was in 2020 during the pandemic.
#2) How did you first become interested in giantesses?
It didn’t start out specifically with women. It was actually more abstract than that. I have a strong memory of when I was a child, maybe 4-5 years old, where I was cutting out triangles from construction paper and at one point, I cut out two small triangles and one larger one. For some reason, it reminded me of the Baby Huey cartoons where the parents had an oversized kid and all the wacky situations they had to deal with due to his giant size. It made me laugh, but it also inspired creative thoughts in me.
I was an avid fan of cartoons where things grew and shrank, from Warner Bros. to Tex Avery. I also loved the 1976 King Kong movie and classic Godzilla movies. Disney’s Alice In Wonderland was a favorite of mine when I was a child, too.
I think it turned into more of a focus on giantesses when I started to go through puberty. I remember getting “a funny feeling” (to quote Garth from Wayne’s World, ha) when I would watch Giganta or Wonder Woman grow on the Superfriends cartoons and especially the classic The 50 Foot Woman episode with Amy Zonn. I started to sweat, breathe heavier, and my heart pounded while watching women grow and doing whatever they wanted, like picking up people or destroying things, either by their fists, crushing something by sitting on it or stomping it flat.
The point when I became a creator of giantesses I can remember very well. I checked out a book from the public library about monster and sci-fi movies from the ‘30s to the ‘70s. Inside was the classic Attack of the 50 Foot Woman poster, with Allison Hayes straddling a freeway, one car in hand, impossibly large bedsheets covering her breasts and privates and a sneer on her face. Beautiful, busty, yet terrifying. It definitely triggered a new feeling in me. I was 11 years old at the time and I started to draw her in different poses, doing different things. I did not see the movie itself until I was 18 (I remember buying the VHS for $40 from a mail-order catalog), but the poster was enough to inspire me.
Strong female characters became a thing for me. I used to buy The Savage She-Hulk comic book all the time and had a book of Marvel Comics’ superhero women that collected stories from Ms. Marvel, Red Sonja and others. That was also very influential on my love for powerful women.
I kind of had two sides of me, sort of like Jekyll and Hyde. I had the public side, where I created my own superhero character, Giant Girl. Innocent, G-rated fun. Then, I had the private drawings where women grew large, out of their clothes, and walked around naked, around 100 feet tall (or bigger). I would classify those more as R-rated as there was nothing sexually explicit happening, just nudity. Innocent and naive ideas.
From that time, I recall drawing one comic that included three of my female classmates that grew into giantesses. One of them had a larger-than-average butt, one had really big boobs and one was much taller than the others. Basically, their real-life attributes, but exaggerated as they grew bigger.
In those days (the early ‘80s), there was no World Wide Web and to see giant women in magazines, books, on TV or in movies was a rare thing, an anomaly. I figured there was something wrong with me because of my strong interest and enjoyment of girls and women becoming giant in size, so it was something I hid from others. I often destroyed my drawings and comics I made so my mother or anyone else would not find them. Kind of sad as I’d love to look back on the ideas I had back then and see the progress I made as an artist and writer.
It wasn’t until I discovered a few giantess-based websites back in 1996 that I realized I wasn’t the only one who found giant women sexy and alluring. It was very relieving to realize there were others who liked some of what I liked. While I am not into all the same things others are (for example, I am not into the idea of myself being crushed, but I enjoy that content as a viewer), it was still liberating to see a community of sorts online.
Shortly after seeing those sites, I began to create my own. I bought a flatbed scanner and uploaded my scanned artwork to forums and from my own website. It was great to talk with people who had their own quirky take on giantesses.
#3) What are a few of your favorite works from other creators?
Pretty much anything from Klnking. I just really like his artwork. The amount of inking detail is incredible. I also love how he draws the boobs on his giantesses, how big they are and how they move. The one with the woman who uses breast cream and ends up being hundreds of feet tall with massive breasts she refers to as “meatballs” (lol) is probably my favorite of his.
I really liked Vivian’s comic book work (RIP). The concept of a submissive, highly-sexual mega giantess was something rarely seen in the giantess world. Most giantesses are monstrous, cruel, heartless creatures completely in control, but these women were sexy, with lots of pubic hair and erect nipples that wanted to be tied up or played with in some fashion. The contrast of someone so powerful being helpless was interesting.
My favorite animation of Jcalin’s is Wild Ride 3. It’s different from his other works. His women are usually very cruel, but in that one, the woman is a little bit nicer. She gives some oral to her partner after she grows and enjoys him trying to give his all to her at her giant size. I also really love his Paradise Island and Paradise Island 2 clips. The concept of a woman having such a great orgasm that she grows out of control is an extremely sexy idea to me. His Megagirl clips are great as well.
It’s probably an unusual choice, but one that sticks out for me right now is Jodie Fart Growth from Donkboy2020.
It was a 3D animation of a woman that grew bigger every time she farted. It’s about a minute long. She lets one go while standing on the sidewalk in a city and grows out of her clothes, then keeps letting out big, green clouds along with a fart noise, slowly growing larger every time. When she is around 150 feet tall, she lets out another one and it makes her curvier (bigger butt, wider hips, much bigger boobs). Eventually, she grows big enough to flatten skyscrapers under her butt.
It would be incredibly hilarious to a non-giantess fan, but to someone like me, it’s a sexy idea. Highly unusual and a rare concept for how a woman could grow, but it’s something I also explored to a degree in my story, The Incredible GROWING Housewife, where the protagonist grows whenever she passes gas.
I really enjoyed the AC Comics’ Femforce issues that included giantesses, especially the first two issues and issues #63-64. Those are classic comics for me. Even though they are PG/PG-13, some of that stuff was just really exciting, seeing women as tall as buildings fighting each other and a guy who could shrink to a tiny size dealing with those huge women.
I am more into artwork/comics and 3D stuff than collages these days, but Tolik is one of my favorite collagers. His women are sexy and the collages are always very well done.
For stories, Diet is one of my favorite authors. I enjoy his stuff because he talks about the real world aspects of women growing so big. How sex would change between partners, how much food it would take to feed a woman and what to do about, er, sanitation afterwards. Most giantess creators don’t ever deal with those types of questions, so I find that refreshing to read that sort of content.
Along those lines, there is a story I love called “Smells Like Marriage” by Divediveburners on the Giantess World website. It’s about a tomboyish 500 foot giantess and her normal-sized husband. It explores some of the more gross aspects that happen between married couples (more specifically, from her) and magnified 100x larger, it can be pretty amazing to read about that sort of thing. I’d love to see more stories like this.
#4) How would you describe your own stories?
I like women that are normal, everyday women that somehow change into something more incredible. That’s the big turn on for me. I would characterize my female characters as highly intelligent, yet vulnerable and insecure. Sometimes, they become more confident as they grow larger and sometimes, they are still insecure as they deal with the changes in their bodies.
I think some of them have a maternal aspect to them and whenever I have that element in the story, those seem to be my more popular works. Maybe there is a real deficit of loving, gentle, maternal women in fiction and my readers like that sort of thing, too. I fulfilled a lot of MILF commissions and maybe there is something to that “loving mom” concept as a comfort of sorts.
I do like to incorporate some realistic aspects, sometimes to the disgust of women (and some men too). I have heard from some of them that they don’t appreciate the intense amount of detail whenever I’m describing odors or the liquid sounds of sex as it turns them off. Not all of my works have that, but a good portion do. I would simply say my stuff isn’t for everyone. I like to write for myself first.
I just like to focus on the fact that a woman’s morning breath would definitely be stronger as a 50 foot woman than as a 5’6” lady. She would still need to eat and figure out somewhere to “do her business” afterwards. I like “real” women and I prefer the contrast of a real woman becoming a very powerful being, but still human, just larger. I also like the idea of women enjoying sex and enjoying it even more as a giantess. They no longer feel embarrassed about their own desires. They just enjoy pleasure.
#5) You’ve been producing size fiction for three decades now. Have you participated in get-togethers like Size Con? How do you feel about the size community in 2024 compared to 1996? Do you frequent sites such as Giantess Club & Giantess Fan or Clips4Sale & OnlyFans for new giantess comics or videos?
I haven’t been to any in-person events. I did meet a couple of women from the online giantess world years ago, but not anything like a convention. It would probably be a lot of fun. Maybe someday.
The size community has definitely changed over the past 28 years. There are a lot more of us online now and giantess is much more visible in the mainstream. A lot more women seem to be into this. Back in the ‘90s, it seemed to be primarily made up of foot fetish fans, BDSM types and women that liked to shrink men, but never wanted to grow.
Now, there are a lot of women that love the idea of being as large as a city or doing very sexual things as a giantess the size of a skyscraper. Maybe it’s a shift in society. Reality stars and the like, so the giantess fantasy might be another thing related to a huge ego, so growing bigger makes more sense because there are more worshipers, right?
I did purchase comics from Giantess Fan in the past. I liked a lot of their stories and artwork. Two of my favorites are “Evita’s Big Night” and “The Outgrowing.” I do buy BustArtist’s wonderfully zany “Grow Cinema: The Ever-Expanding Universe” series with Carl, the guy who has the power to change reality and uses it to make women into sexy, very busty giantesses. And I do subscribe to Larger Than Life Giantess Studios Only Fans page. The owner puts out four videos every week, which is a pretty impressive output. I even had a couple customs made that turned out pretty well.
#6) Do you have any advice for people who want to write stories?
If you have a strong urge to create, whether it’s through drawing, 3D animation, writing stories, comics, making videos, whatever it happens to be, just dive in. Find books with tips on how to write. Analyze your favorite authors and reverse-engineer what you like about the way they write and find inspiration to do your own thing with it.
I always came from a “I like that, but I would have done this instead…” approach when it came to films, stories and comics. I liked to do my own take on things, using something familiar as a springboard. Also, perhaps take some English classes or at least learn grammar.
I’ll give you some insight on how I write. For commissions, I take the commissioner’s description of what they want and put it at the top of the page. Then, I will write “Beginning,” “Middle,” and “End,” and come up with a quick summary for each, just a basic idea for each part before I start the actual writing process. It’s usually just a sentence or two for each part.
The way I write, I will do what is referred to as “pantsing.” I just write what comes to me and I don’t worry too much about grammar, or how much I said the same word or if things are out of order. I call this the brainstorming period. Raw content.
Then, I slowly go through what I wrote, sentence by sentence. The great thing about computers and word processing is you can cut and paste things as needed. Move stuff where it makes more sense, cut out stuff that doesn’t need to be there.
After reading through it over and over, then I start to look for mistakes. Either misspellings or using the wrong word in spots. Once I feel like everything flows together really well as a reader, then I do one last check for grammar, punctuation, spelling, etc. and send it off to the commissioner.
But if you just want to write out your own ideas for yourself and share them with others, you will learn by doing. You’ll get better as you go, as with any skill.
#7) Any upcoming projects you’d like to mention?
I have a plan to do a tightened-up version of my novella, The Incredible GROWING Housewife, but I have not finished it yet. I originally wrote it in the summer of 2019 as a daily writing assignment I made for myself for two months, so I think it needs an overall edit to get rid of the boring bits or stuff that stops the action.
I also have a planned sequel involving a single mother and her college-aged daughter moving to the same town as the Housewife, but I have not completed that either.
I started to publish books under the name Tim Little Bear on Kindle Direct Publishing in 2022 and I’d like to do more of that. More short stories and some longer works. I will probably publish the Housewife books on there in some form whenever they are completed. One thing to note: the version of “Native Growth” on KDP is expanded compared to the one on DeviantArt, so if you want the larger, sexier story, get the KDP version.
Finally, I plan on finishing my A Whole New World book series with the final Book 4. It’s been over a year since I published Book 3, but I want it to be really good, so I’m sweating over it. I hope it will be met with positive reviews when it’s released. I plan to get that out by summer 2024.
Thank you for doing this interview!
You are very welcome! I appreciate you asking me. It was an enjoyable experience.
Links:
TimUrsaminor’s DeviantArt page
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There She Grows 