Solomon E Calls the “Giantess Busters”

“What if the Stay-Puft Marshmallow Man turned into a giantess?”

Today, I will answer that most significant of all questions by reviewing “Giantess Busters” from Juliana de la Crème. (NOTE: Click here for reviews of Juliana de la Crème’s “The Incredible Growing Woman” Episode 1, “Honey, I Shrunk Myself” Episode 2, and a recent interview.) An anonymous blog reader requested this review last November, but it could only be written this October by me, Solomon E, since nothing but my unrivaled brilliance could do it justice!

Before beginning, it will be helpful if readers are already familiar with the American comedic film “Ghostbusters” from 1984. Juliana’s 20-minute long clip drew directly from the lore of that 80s classic and the sequel; therefore, Giantess Busters did not provide its own set-up. Accordingly, in Giantess Busters a giant made of marshmallow starts the proceedings by rampaging through New York City without a proper introduction. Hopefully, readers recognize the titan made of sweet and spongy foodstuff.

With relative ease the four Ghostbusters toasted the Stay-Puft Marshmallow Man and halted his rampage. It was at this point where the comedy film Ghostbusters and the size-fetish clip Giantess Busters begin to differ from each other much more radically. A giantess hatched out of the body of Stay Puft! My high school did not provide a substantial sex education so I am going to assume all women come from marshmallows. Where else would they originate?

Once reborn as a giant woman, the monster wearing white lingerie in an appropriate callback to her origin proceeded to swallow several pedestrians and stomp on a couple of buildings. Multiple camera angles showed people going into her mouth, then down her throat, and finally landing in her stomach. Given that several posts have already published about Juliana’s work it should go without saying that she and her crew put a level of quality into their work which is significantly above the norm at Clips4Sale. The studio deserves kudos for the many practical and computer-generated special effects!

The detailed cityscape was well-executed. Yet, even though making that city undoubtedly was a long process, Juliana was not afraid to tear down her crew’s hard work when she sat upon and demolished a few apartment complexes. Additionally, she ate numerous pedestrians while in the midst of her urban demolition.

A good deal of the runtime, roughly one-third of the entirety, had Juliana sitting on a decapitated skyscraper and masturbating. This self-stimulation of her genitals involved a copious amount of bodily fluid and those vaginal excretions rained down upon ordinary citizens sitting on a nearby lawn. Some may wonder why those onlookers had not already fled, but maybe they welcomed the paranormal precipitation.

The only actual person who appeared on screen was Juliana herself. This production portrayed all the other characters using small figurines. That dulled the potential horror when one recognized that she was merely tormenting inanimate plastic as opposed to real human beings. Although, those other characters, both men and women, were voiced which was great!

Perhaps the biggest drawback was the lack of conflict or tension. What that means is the final outcome was never in doubt. The four Ghostbusters tried to counter the threat, but she nonchalantly shrugged off their attempts. At one point they shot her in the vagina with their proton packs which I thought was going to have the unintended effect of stimulating her libido. Instead, those blasts did nothing painful or pleasurable. Nor did the attack prevent Juliana from snatching individuals. Juliana grabbed a nice old lady at the same time Juliana’s own lady parts were being hit by nuclear-powered particle beams. Defeating the good guys was a foregone conclusion.

Overall, I highly recommend Giantess Busters to fans of evil giantesses. Gentle fans may be discouraged by the many building crushing and people swallowing scenes. Although, all that violence was done to tiny toys so this was by no means a disturbing or scary experience.

That is all for now. I realize that the unwashed masses are not quite ready for more of my flawless opinions! So, I hereby grant a respite to the peons. Until my illustrious return next October they should do their homework, eat their veggies, watch Condorman one or ten times, and prepare for SpaceGodzilla’s imminent arrival. Rumor has it that the cosmic variant of the King of the Monsters will appear in the upcoming American movie Godzilla x Kong: Supernova in late March 2027.

In the meantime, folks can enjoy some detailed analysis of Hard Honey Studio’s outstanding CGI fetish clips at There She Grows next month!

This review was written by Solomon E and is protected under Fair Use copyright law.

All Rights Reserved.